
      Paulo Santoro was born in 1972, in Ribeirao Preto, Brazil. He's been fond of writing
      since he was a kid. He lives and works in Sao Paulo, 
      where was graduated from USP (bachelor's degree in Language and Linguistics) in 1994. He was 
      part of Antunes Filho's playwriting working group at Centro 
      de Pesquisa Teatral 
      (Centre for Theatre Research) from 1999 to 2006. His play Gregory's 
      chant was released in 2004, directed by Antunes 
      Filho.
Paulo 
      Santoro researches and writes about several topics he likes: Literature, 
      Philosophy, Science, Movies, Chess, Theatre, Languages, Computers, Sports, 
      etc. 
      
    
And then I saw it: Good is logically impossible. And I saw that knowing it is both beautiful and ghastly - like the translucent apparition of a specter. What should we do knowing that good is impossible, when "good" is just a beautiful name for an abstract sculpture, even though, day in, day out, life is being made at the whim of circumstances? Yes, I'm aware the circumstances involving us every morning are usually a little predictable. But sometimes we are also assaulted by unforeseen circumstances - a gale, a deafening fountain, the fray of a fight, and most unexpectedly (draws a gun), an absurd object that comes out of your pocket.
Character Gregory, in Gregory's chant